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Pronounced "Poems" but in the whacky digital age we make up new words because someone already registered the real word.

These poems are collected and shared because they are special words, often very profound, often sensual, and always very beautiful and meaningful.

Here are words from the greatest poets who ever lived, some of them very famous, but there are also treasures from lesser known poets who perhaps deserve to be better known. I humbly offer some of my poems in amongst this illustrious company. Please forgive me for that, and I hope you enjoy this rich selection.

Po-mz is designed to allow serendipity a large role in your reading pleasure. Do not expect the poetry to be ordered according to subject or poet. Instead you have two choices. You can read in a linear fashion using the next and previous buttons at the bottom of each page, or you can use the archives link at the bottom of this sidebar to randomly hop from poem to poem. Enjoy.

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LINKS
Gatherr
Cultural items of interest gathered from the web. Updated daily with an intense focus on a different theme for each day.

TonyJohansen.com
The main web site about the work of artist Tony Johansen. Extensive galleries of artwork as well as selected writings and poetry.

Diary Of An Artist
Online diary of Tony Johansen. The trivia, traumas and triumphs of an artist struggling to survive in a new world.

PaintMaking.com
The webs premier site on pigments and making artist's paints in the studio.

Go Figure
An online extension of a painting by Tony Johansen.

Voice In My Head
The background and story of the painting of the portrait of Leo Sayer by Tony Johansen

Crypts And Cats
Interesting places (and cats) within walking distance of Kings Cross.

Hens Night Ideas
Arty Party's are the fun way to celebrate a Hens Night.

EROTIC ART LINKS
Femaylz
Artistic erotic images of the female form collected, edited, and created by Tony Johansen. WARNING: This site contains explicit imagery of nude or semi clad women. Do not enter if you are under 18 years of age or are offended by sexually graphic images.

Maylz
Artistic erotic images of the male form collected, edited, and created by Tony Johansen. WARNING: This site contains explicit imagery of nude or semi clad men and includes images of penises. Do not enter if you are under 18 years of age or are offended by sexually graphic images.

Intercorz
Artistic erotic images of the male and female form engaged in sexual activity. The images are intended to explore the beauty of the human form in all activities. The images are collected, edited, and created by Tony Johansen. WARNING: This site contains explicit imagery of nude or semi clad men and women engaged in sexual activity. Do not enter if you are under 18 years of age or are offended by sexually graphic images.

Archive

Mar
30th
Sun
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A Wonderful Longfellow Poem Collected And Shared By Tony Johansen

PAUL REVERE’S RIDE

Listen my children and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.

He said to his friend, “If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light,—
One if by land, and two if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country folk to be up and to arm.”

Then he said “Good-night!” and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war;
A phantom ship, with each mast and spar
Across the moon like a prison bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.

Meanwhile, his friend through alley and street
Wanders and watches, with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the tramp of feet,
And the measured tread of the grenadiers,
Marching down to their boats on the shore.

Then he climbed the tower of the Old North Church,
By the wooden stairs, with stealthy tread,
To the belfry chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,—
By the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town
And the moonlight flowing over all.

Beneath, in the churchyard, lay the dead,
In their night encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel’s tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, “All is well!”
A moment only he feels the spell
Of the place and the hour, and the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay,—
A line of black that bends and floats
On the rising tide like a bridge of boats.

Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride
On the opposite shore walked Paul Revere.
Now he patted his horse’s side,
Now he gazed at the landscape far and near,
Then, impetuous, stamped the earth,
And turned and tightened his saddle girth;
But mostly he watched with eager search
The belfry tower of the Old North Church,
As it rose above the graves on the hill,
Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry’s height
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns.

A hurry of hoofs in a village street,
A shape in the moonlight, a bulk in the dark,
And beneath, from the pebbles, in passing, a spark
Struck out by a steed flying fearless and fleet;
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.
He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders that skirt its edge,
Now soft on the sand, now loud on the ledge,
Is heard the tramp of his steed as he rides.

It was twelve by the village clock
When he crossed the bridge into Medford town.
He heard the crowing of the cock,
And the barking of the farmer’s dog,
And felt the damp of the river fog,
That rises after the sun goes down.

It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, black and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the bloody work they would look upon.

It was two by the village clock,
When he came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadow brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket ball.

You know the rest. In the books you have read
 How the British Regulars fired and fled,—-
How the farmers gave them ball for ball,
From behind each fence and farmyard wall,
Chasing the redcoats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.

 So through the night rode Paul Revere;
 And so through the night went his cry of alarm
To every Middlesex village and farm,—-
A cry of defiance, and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo for evermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.

- Henry Wadsworth Longfellow